In a Flash
In a flash the week has nearly gone by. I was able to do a lot of work on Chapter 8 on Tuesday. It really helps when the day is rainy and depressing. It helps keep me focused. So goals today are to do one last pass on Chapter 8 and send chapters 1-8 to Maya, who I met at the writer's conference last year and has really helped me out with some invaluable critiques. She has a Regency romance coming out next year and another in the works, which I plan to begin reading next week and give her some feedback. She's an awesome writer and I'll have more info about her upcoming book when it's closer to print.
Karmela Johnson posted on her blog about the ending of Kick-butt Heroines (KBH) in romance. A lot of people voiced their opinion on this topic. I think that when most people think of romance, they picture a virginal woman swooning in the arms of an alpha male with rock-hard abs, who has seduced nearly every woman within the country limits and has finally been tamed by this fiesty, if not innocent, young woman whom he has just saved from nefarious men intent on taking away her said innocence. And these are all fine and good. In fact, this is probably the storyline of the majority of romances which I had read as a teenager. And in historical romance, in particular, you will almost always have the virginal young woman because it was the era. However, recenlty, I've see more heroines in historicals saving the men and not being a bumbling idiot and getting into more trouble from which she has to be saved (think danger proned Daphne from Scooby-Doo or Goodnight from Man with the Golden Gun). Some readers do not want the strong heroine and see this as a possible affront to the romance genre. But this is not true. A woman like Buffy, who can slay a hundred vamps without the help of a man, still can be saved by love. It doesn't mean that the woman doesn't need/want a man to support her and even save her, but that we, the readers, know she is capable of being on her own if she had to, fighting her own battles when left alone. Maybe it's our generation. One where many of us were raised by single moms and we want to show how important it is for a woman to able to stand on her own two feet, because some men can turn out not to be Prince Charming and leave the woman to clean up his mess. Maybe that's why I like strong women in my books, because I never had a father. In the back of my mind, I'm always thinking that the man is going to leave and if the woman does not have the ability to stand on her own when left by the man then it's hard for me to relate.
You can't please all the people all of the time, but you can please some of the people some of the time. Write what you love. There's a market for both traditional heroines and KBH. I'm not against the innocent heroines and strong heroes, I just want something different after reading these for 17 years. Not to mention that KBH is not a threat to romance but an extension. The women-being-saved romances are not going to be forced out by KBH. It's just that things are shifting now and new voices are vying to be heard over the norm and soon they will become part of the norm.
Thesis. Antithesis. Synthesis. As always is the case with anything that goes against what people find as the norm.
Write a good story with your own ending. And you will find an audience that suits you.
Karmela Johnson posted on her blog about the ending of Kick-butt Heroines (KBH) in romance. A lot of people voiced their opinion on this topic. I think that when most people think of romance, they picture a virginal woman swooning in the arms of an alpha male with rock-hard abs, who has seduced nearly every woman within the country limits and has finally been tamed by this fiesty, if not innocent, young woman whom he has just saved from nefarious men intent on taking away her said innocence. And these are all fine and good. In fact, this is probably the storyline of the majority of romances which I had read as a teenager. And in historical romance, in particular, you will almost always have the virginal young woman because it was the era. However, recenlty, I've see more heroines in historicals saving the men and not being a bumbling idiot and getting into more trouble from which she has to be saved (think danger proned Daphne from Scooby-Doo or Goodnight from Man with the Golden Gun). Some readers do not want the strong heroine and see this as a possible affront to the romance genre. But this is not true. A woman like Buffy, who can slay a hundred vamps without the help of a man, still can be saved by love. It doesn't mean that the woman doesn't need/want a man to support her and even save her, but that we, the readers, know she is capable of being on her own if she had to, fighting her own battles when left alone. Maybe it's our generation. One where many of us were raised by single moms and we want to show how important it is for a woman to able to stand on her own two feet, because some men can turn out not to be Prince Charming and leave the woman to clean up his mess. Maybe that's why I like strong women in my books, because I never had a father. In the back of my mind, I'm always thinking that the man is going to leave and if the woman does not have the ability to stand on her own when left by the man then it's hard for me to relate.
You can't please all the people all of the time, but you can please some of the people some of the time. Write what you love. There's a market for both traditional heroines and KBH. I'm not against the innocent heroines and strong heroes, I just want something different after reading these for 17 years. Not to mention that KBH is not a threat to romance but an extension. The women-being-saved romances are not going to be forced out by KBH. It's just that things are shifting now and new voices are vying to be heard over the norm and soon they will become part of the norm.
Thesis. Antithesis. Synthesis. As always is the case with anything that goes against what people find as the norm.
Write a good story with your own ending. And you will find an audience that suits you.
